Sewing: Brown Herringbone Smokkr

Tablet weaving at an
event in simple garb.

When getting ready for the 2017 Raglan Fair, I started working on a new Viking smokkr or apron dress. I got as far as drafting the pattern and cutting out the pieces before finding my old smokkr, at which point I decided to spiff that one up instead of rushing to finish the new one. In the weeks that followed, I slowly chipped away at the new smokkr, picking it up and putting it down as my energy levels and free time allowed, and it's now in a wearable state.

I have very mixed feelings about the smokkr as commonly reconstructed in re-enactment circles. It's a garment that has become more or less the uniform for re-enactors portraying women of the Viking period, but all of the information we have on this garment is based on a few tattered fragments, and minuscule fossilized loops of cloth preserved inside of metallic brooches. Those tattered fragments and scraps can tell us a lot about what the smokkr was made from--fibers and dye plants used, thread count, weave, amount of twist in the yarn--but they can't tell us much about the shape, fit, length, or degree of ornamentation of the finished garment. We do have some visual representations of Viking women on runestones and gullgubber, but they are heavily stylized and difficult to interpret. And yet, there are plenty of re-enactors who will happily criticize any interpretation of this garment that differs from their own. I have some very strong feelings about this, which I hope to write up separately one day, but for now I'd like to focus on the garment that I put together as an expedient way of expanding my wardrobe for a week-long SCA event.

Leatherworking: Viking Turnshoes

My first turnshoe, stitched in
August 2014 and languishing 
ever since.

After making our archery bracers over the holidays, I was still in a leatherworking mood, so I decided to resurrect one of my very old unfinished  projects. Sometime in 2013, I started making a pair of Viking style turnshoes. At the time, I got the pattern made, assembled the uppers, attached the soles, turned them right side out, and then... became paralyzed with indecision.

Event-based Motivation: Spiffing Up Garb for Raglan

One of the good things about moving to Wales is that one of the biggest SCA events in the UK is (relatively speaking) right in my backyard. Raglan Fair takes place every September, when hordes of SCAdians descend upon on the grounds of Raglan Castle, set up camp, and proceed to cook, craft, shoot, and bash each other with sticks for ten days straight. For me, the upshot of this is that, for a week and a bit, I get to hang out with a significant number of people I adore but have very few opportunities to see in person. Last year (our first in Wales) I spent just one afternoon at the castle as a member of the general public, not as an attendee, but this year I decided to take a week off work and register for the whole event.

I've had friends in the SCA for most of my life, but I've always been more of a Renaissance Faire kind of girl. This means that most of my garb is a.) not overly concerned with historical accuracy, and b.) designed for 100+ degree weather. In other words, throwing together enough SCA-appropriate garb for a multi-day event was going to require some creativity and a little bit of sewing.

There's nothing quite like a looming deadline fuelled by fear of mockery to motivate me to finish a project. In this case, I used the few days before (and during) Raglan to spiff up a couple of old costume pieces and start one new one.